Born in Transylvania in a family with a long tradition, back to 1204, Eugene Matzota has learned and practiced Ancient esoteric teachings since childhood.


EUGENE MATZOTA, founder of ALTculture Cultural Magazine
EUGENE MATZOTA, founder and director of ALTculture Cultural Magazine

Member of the Theosophical Society, since 1997, he published in the last 20 years some books on Theosophy and answers to all kind of questions about life and human nature. His concern for the highest mystical aspiration is only an aspiration for higher spiritual knowledge attained by spiritual experience.

This quest for spirituality, originally started with the naive desire if the impetuous adolescent who wants to know everything, became his attitude to the world.

Author of another three books only in the field of Theosophy, two of them bearing the title ‘Theosophy’, in 1999 and 2009.

Another book with mostly theosophical questions and answers, was published in 2011, as a result of a lot of meetings with his readers.

‘Theosophy, The Final Answer’, published in 2017, is explaining the genesis of Theosophy, similarities and differences between the previous referential teachings of Theosophy and its modern appearance, insisting on ideas related to HP Blavatsky and the Theosophical Society.

The focus is on analyzing the Universe, Humanity and Divinity, and the mutual effects.

BOOKS

  • 1995 — “DTP Guide”;
  • 1999 – “Theosophy” – First Edition;
  • 2009 – “Theosophy” – Second Edition;
  • 2010 – “The Pain of You” – Love&Hate Poems;
  • 2011 – “Ask, it Shall be Answered!” — Q&A about Life, Universe, People;
  • 2012 — “Aromanians History in Data”;
  • 2013 – -“Masonic Etiquette Code”;
  • 2015 – “Masonry, my Discreet Life”;
  • 2015 – “Masonic Etiquette In the New Millennium”;
  • 2016 – “Romanians Vs. Aromanians?”
  • 2016 – “Theosophy” – Third Edition;
  • 2016 – “Aromanians, our Brethren that Perish”
  • 2017 – “Theosophy, The Final Answer”
  • 2018 – “The Blue of You”
  • 2019 – “The new Milleninium Masonic Etiquette”
  • 2020 “The Third Key”

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